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HERALDRY,
CHIVALRY & RENAISSANCE |
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for Enlarged Photo of Medallion
Heraldic
Rose
The
esoteric doctrines for which the Eastern lotus stands have
been perpetuated in modern Europe under the form of the
rose. The rose and the lotus are yonic emblems, signifying
primarily
the maternal creative mystery. Both represent spiritual
unfoldment and attainment.
The
heraldic rose of the Middle Ages generally has either five
or ten petals thereby showing its relationship to the spiritual
mystery of man through the Pythagorean pentad and decad.
From
the earliest times, the rose was associated with love; in
Greek mythology, the red rose was supposed to have sprung
from the blood of Adonis, the lover of Venus, and was symbolic
of love which transcended death. In the Middle Ages, the
red rose stood for the blood shed by Jesus on the Cross and
therefore represented God's love for mankind, and in the
Renaissance period, a mystical Christian fraternity called
the 'Rosicrucians' (i.e. the rosy cross) used the rose as
their symbol. The rose as the 'queen of flowers' was also
associated with the Virgin Mary - hence only virgins were
supposed to wear rose garlands. Despite this medieval troubadours
used the rose in their songs as a symbol of a very earthly
kind of love.
The
rose is often found in heraldry, and is the flower which
symbolizes England (just as the thistle represents Scotland).
A red and white rose was the symbol of the English Tudor dynasty
of kings. One heraldic treatise stated that the rose's special
status is explained 'by its special association with comfort,
generosity and discretion' and continued that 'Red roses have
an inevitable association with the redness of the blood that
all must shed for freedom, for the Fatherland, for the Church.'
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