Each piece starts at the press, where we hand-strike small batches with one or two designs. Handwork ensures every impression is unique, and the edges form naturally, giving each medallion subtle character—a true hallmark of handmade work. For earrings and dendritic designs, we also hand-dome each form. This gentle shaping adds dimension and movement, letting light play across the surface as you wear it.
All of our pieces are given some contrast. However, we found some customers love a finish that feels historic, as if found in an old trunk. We create this look with a sulfur-based or metal-specific tarnish, depending on the material.
We darken each piece until it develops a deep black surface.
- We allow the patina to settle into the minting, giving the finish depth.
- Each piece is then hand-buffed to reveal highlights while leaving contrast in the recessed areas.
Some designs come alive with bright contrast between raised and shadowed areas. Others are most striking when left almost entirely dark. Each is hand-finished, but we maintain a consistent antiquing standard so collectors know what to expect.
We also offer hand hammering. After minting, we tap the edges with a small hammer to create a rough texture. It’s done with simple tools and a practiced rhythm. Hammered edges give the medallion an aged, rugged look that many of our supporters love. At shows, people often tell us they want their piece to feel like it has already existed for centuries. This finish brings that character forward while keeping the integrity of the original design.
These finishing techniques aren’t about making something look perfect — they’re about giving each piece presence. Small variations in patina, edges, and doming are signs of the human touch behind the work. Each finish—bright hand-buffed, deep antiqued, softly hammered—reflects our belief in craft over uniformity, history over trend, and lasting objects meant to be worn a lifetime.